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Grammy in bianco per #metoo, Bruno Mars vincitore assoluto

Bene anche Kendrick Lamar e Ed Sheeran. Niente da fare per il supernominato Jay-Z
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ROMA – Dal nero al bianco. Cambia il dress code ma non il messaggio, che dal cinema alla musica, da Hollywood  a New York è uno solo: no alle molestie sulle donne, sì al coraggio di denunciare. E’ così che, come per i Golden Globe (in cui i protagonisti della kermesse si erano vestiti di nero), anche i Grammy Award, gli Oscar della musica che hanno avuto luogo ieri sera al Madison Square Garden, hanno scelto un colore rappresentativo, il bianco questa volta, a sostegno del movimento #MeToo e Time’s Up. Una rosa bianca appuntata sul petto come simbolo e tanta musica per veicolare un messaggio importante, che da una costa all’altra degli States sta unendo l’America.

Apice della serata in questo senso, l’interpretazione dell’artista Kesha, tornata alla ribalta dopo anni di latitanza a causa delle sue battaglie legali intraprese ai danni del suo produttore, Dr Luke, accusato di molestie. L’artista, candidata con il suo album Rainbow nella categoria Best Pop Vocal Album, si è esibita sul palco dei Grammy,  in un’appassionata “Praying”, accompagnata da Camila Cabello, Cyndi Lauper, Julia Michaels e Andra Day.

https://www.youtube.com/watch?v=2AzYkNtyZKY

Bruno Mars re indiscusso della serata

A vincere, anzi stravincere, la 60esima edizione dei Grammy Award, un Bruno Mars decisamente in forma smagliante, che porta a casa 6 grammofoni, facendo bingo (era candidato in 6 categorie), tra cui

Album of the Year, Record of the Year, Best Song of the Year. Buon risultato anche per Kendrick Lamar, il rapper più celebrato degli ultimi anni, che si è aggiudicato cinque premi tra cui: migliore disco rap, migliore performance rap e migliore canzone rap. Al britannico Ed Sheeran va invece il riconoscimento come migliore performance pop solista e miglior disco pop. A bocca asciutta il favorito Jay-Z in corsa con 8 nomination.

TUTTI I VINCITORI

Record of the Year: 24K Magic — Bruno Mars

Album of the Year: 24K Magic — Bruno Mars

Song of the Year: That’s What I Like — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)

Best New Artist: Alessia Cara

Best Pop Solo Performance: Shape of You — Ed Sheeran

Best Pop Duo/Group Performance: Feel It Still — Portugal. The Man

Best Traditional Pop Vocal Album: Tony Bennett Celebrates 90 — Various Artists; Dae Bennett, producer

Best Pop Vocal Album: ÷ — Ed Sheeran

Best Dance Recording: Tonite — LCD Soundsystem

Best Dance/Electronic Album: 3-D The Catalogue — Kraftwerk

Best Contemporary Instrumental Album: Prototype — Jeff Lorber Fusion

Best Rock Performance: You Want It Darker — Leonard Cohen

Best Metal Performance: Sultan’s Curse — Mastodon

Best Rock Song: Run — Foo Fighters, songwriters

Best Rock Album: A Deeper Understanding — The War on Drugs

Best Alternative Music Album: Sleep Well Beast — The National

Best R&B Performance: That’s What I Like — Bruno Mars

Best Traditional R&B Performance: Redbone — Childish Gambino

Best R&B Song: That’s What I Like — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)

Best Urban Contemporary Album: Starboy — The Weeknd

Best R&B Album: 24K Magic — Bruno Mars

Best Rap Performance: HUMBLE — Kendrick Lamar

Best Rap/Sung Performance: LOYALTY — Kendrick Lamar featuring Rihanna

Best Rap Song: HUMBLE — K. Duckworth, Asheton Hogan and M. Williams II, songwriters (Kendrick Lamar)

Best Rap Album: DAMN — Kendrick Lamar

Best Country Solo Performance: Either Way — Chris Stapleton

Best Country Duo/Group Performance: Better Man — Little Big Town

Best Country Song: Broken Halos — Mike Henderson and Chris Stapleton, songwriters (Chris Stapleton)

Best Country Album: From a Room: Volume 1 — Chris Stapleton

Best New Age Album: Dancing on Water — Peter Kater

Best Improvised Jazz Solo: Miles Beyond — John McLaughlin, soloist

Best Jazz Vocal Album: Dreams and Daggers — Cécile McLorin Salvant

Best Jazz Instrumental Album: Rebirth — Billy Childs

Best Large Jazz Ensemble Album: Bringin’ It — Christian McBride Big Band

Best Latin Jazz Album: Jazz Tango — Pablo Ziegler Trio

Best Gospel Performance/Song: Never Have to Be Alone — CeCe Winans; Dwan Hill & Alvin Love III, songwriters

Best Contemporary Christian Music Performance/Song: What a Beautiful Name — Hillsong Worship; Ben Fielding & Brooke Ligertwood, songwriters

Best Gospel Album: Let Them Fall in Love — CeCe Winans

Best Contemporary Christian Music Album: Chain Breaker — Zach Williams

Best Roots Gospel Album: Sing It Now: Songs of Faith & Hope — Reba McEntire

Best Latin Pop Album: El Dorado — Shakira

Best Latin Rock, Urban or Alternative Album: Residente — Residente

Best Regional Mexican Music Album (Including Tejano): Arriero Somos Versiones Acústicas — Aida Cuevas

Best Tropical Latin Album: Salsa Big Band — Rubén Blades con Roberto Delgado y Orquesta

Best American Roots Performance: Killer Diller Blues — Alabama Shakes

Best American Roots Song: If We Were Vampires — Jason Isbell, songwriter (Jason Isbell and the 400 Unit)

Best Americana Album: The Nashville Sound — Jason Isbell and the 400 Unit

Best Bluegrass Album: Laws of Gravity — The Infamous Stringdusters and “All the Rage — In Concert Volume One” — Rhonda Vincent and the Rage

Best Traditional Blues Album: Blue & Lonesome — The Rolling Stones

Best Contemporary Blues Album: TajMo — Taj Mahal and Keb’ Mo’

Best Folk Album: Mental Illness — Aimee Mann

Best Regional Roots Music Album: Kalenda — Lost Bayou Ramblers

Best Reggae Album: Stony Hill — Damian “Jr. Gong” Marley

Best World Music Album: Shaka Zulu Revisited: 30th Anniversary Celebration — Ladysmith Black Mambazo

Best Children’s Album: Feel What U Feel — Lisa Loeb

Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): The Princess Diarist — Carrie Fisher

Best Comedy Album: The Age of Spin/Deep in the Heart of Texas — Dave Chappelle

Best Musical Theater Album: Dear Evan Hansen — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek and Justin Paul, producers; Benj Pasek and Justin Paul, composers/lyricists (original Broadway cast recording)

Best Compilation Soundtrack for Visual Media: La La Land — Various Artists

Best Score Soundtrack for Visual Media: La La Land — Justin Hurwitz, composer

Best Song Written for Visual Media: How Far I’ll Go — Lin-Manuel Miranda, songwriter (Auli’i Cravalho)

Best Instrumental Composition: Three Revolutions — Arturo O’Farrill, composer (Arturo O’Farrill and Chucho Valdés)

Best Arrangement, Instrumental or A Cappella: Escapades for Alto Saxophone and Orchestra From ‘Catch Me If You Can’ — John Williams, arranger (John Williams)

Best Arrangement, Instruments and Vocals: Putin — Randy Newman, arranger (Randy Newman)

Best Recording Package: Pure Comedy (Deluxe Edition) — Sasha Barr, Ed Steed and Josh Tillman, art directors (Father John Misty) and “El Orisha de la Rosa” — Claudio Roncoli and Cactus Taller, art directors (Magín Díaz)

Best Boxed or Special Limited-Edition Package: The Voyager Golden Record: 40th Anniversary Edition — Lawrence Azerrad, Timothy Daly and David Pescovitz, art directors (Various Artists)

Best Album Notes: Live at the Whisky A Go Go: The Complete Recordings — Lynell George, writer (Otis Redding)

Best Historical Album: Leonard Bernstein — The Composer — Robert Russ, compilation producer; Martin Kistner and Andreas K. Meyer, mastering engineers (Leonard Bernstein)

Best Engineered Album, Non-Classical: 24K Magic — Serban Ghenea, John Hanes and Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars)

Producer of the Year, Non-Classical: Greg Kurstin

Best Remixed Recording: You Move (Latroit Remix) — Dennis White, remixer (Depeche Mode)

Best Surround Sound Album: Early Americans — Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson and Jane Ira Bloom, surround producers (Jane Ira Bloom)

Best Engineered Album, Classical: Shostakovich: Symphony No. 5; Barber: Adagio — Mark Donahue, engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)

Producer of the Year, Classical: David Frost

Best Orchestral Performance: Shostakovich: Symphony No. 5; Barber: Adagio — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)

Best Opera Recording: Berg: Wozzeck — Hans Graf, conductor; Anne Schwanewilms and Roman Trekel; Hans Graf and Brad Sayles, producers (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University and Houston Grand Opera Children’s Chorus)

Best Choral Performance: Bryars: The Fifth Century — Donald Nally, conductor (PRISM Quartet and The Crossing)

Best Chamber Music/Small Ensemble Performance: Death & the Maiden — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra

Best Classical Instrumental Solo: Transcendental — Daniil Trifonov

Best Classical Solo Vocal Album: Crazy Girl Crazy — Barbara Hannigan (Ludwig Orchestra)

Best Classical Compendium: Higdon: All Things Majestic, Viola Concerto & Oboe Concerto — Giancarlo Guerrero, conductor; Tim Handley, producer

Best Contemporary Classical Composition: Viola Concerto — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and Nashville Symphony)

Best Music Video: HUMBLE — Kendrick Lamar

Best Music Film: The Defiant Ones — Various Artists

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Agenzia DIRE - Iscritta al Tribunale di Roma – sezione stampa – al n.341/88 del 08/06/1988 Editore: Com.e – Comunicazione&Editoria srl Corso d’Italia, 38a 00198 Roma – C.F. 08252061000 Le notizie del sito Dire sono utilizzabili e riproducibili, a condizione di citare espressamente la fonte «Agenzia DIRE» e l'indirizzo «www.dire.it»